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sphinx poetry pamphlet reviews & features menu home about uk pamphlet publishers uk pamphlet competitions contact site search home published: 19 august 2018 susannah dickey , the lifeboat , james o'leary i had some very slight concerns , susannah dickey the lifeboat, 2017 £6.50 taking up space in the world whether it’s with a movie, a song, or a poem, you know at a gut level when you’re experiencing something that will stick with you. it’s a rare joy to find art this surprising and undeniable. no matter how many times i return to the pamphlet, it has the same potent effect. in the opening poem (‘it’s easy to think someone’s beautiful once they are dead’) characters are on a mission to make strangers look at photo albums of people who have died. the motivation is never explicitly stated. to delay the second death of being forgotten? to force others to acknowledge impermanence? i’m not sure if the answer is important — the strange method of reaching out seems to be led more by compulsion than a desire for connection. each poem in the collection deals with the revealing or concealing of self, driven at once by fear and fixation. in one poem the speaker is unable to stop telling people about personal secrets, in another unable to stop apologising: i apologise for my apologies. i apologise for being so difficult to love. with every moment i’m convinced you are in the process of unloving me. i apologise to try and slow the process down. [‘when you make a child apologise are you teaching them to lie?’] being so grounded in the daily human experience of loneliness and doubt, the surreal elements throughout feel as true as anything. it seems perfectly natural in these worlds that people can share a heart for intermittent periods of time due to an organ shortage, or (in ‘xenomelia’) ‘visit the home of a man who is recently deceased’: i tell him my teeth have been feeling wrong in my head lately. i’ve had thoughts of breaking them with hammers, putting my fingers to my gums and feeling them come away in brown threads like the flesh of overripe bananas. this uneasiness with being a person, alternately feeling like not enough or too much, comes to a head in the last line of the last poem: i would willingly stop existing if it meant you would always be okay james o’leary f share tweet 1 2 3 4 5 6 7 8 9 10 next end reviews & features what are opoi reviews? review principles opoi reviews 2018 opoi reviews 2017 opoi reviews 2016 opoi reviews 2015 sphinx 2013 sphinx 2012 sphinx 2011 sphinx 2010 sphinx 2009 sphinx 2008 sphinx 2007 sphinx 2006 features latest features sampson low — publishing poetry chapbooks guillemot press owen vince: pyramid editions michael laskey: garlic press mike barlow: wayleave press visit the happen stance press website sphinx opoi reviews © copyright 2010 - 2017, helena nelson. all rights reserved. contact designed by zipfish .
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